Sony PXW-FX9 (tělo)

Sony PXW-FX9 je nová, výkonná 4K kamera osazená 6K FF CMOS snímačem Exmor R s dynamickým rozsahem 15 clonových čísel; precizním bajonetem E-Mount z nerezové oceli; bohatou nabídkou I/O vč. 12G-SDI a HDMI výstupů a Wi-Fi; synchronizačními funkcemi; špičkovým systémem automatického ostření Fast Hybrid AF s detekcí obličejů; interním gyroskopem pro dokonalou stabilizaci obrazu; záznamem až čtyř kanálů zvuku; 10bitovým 4:2:2 záznamem na dvě karty typu XQD; a podporou interního záznamu v rozlišení UHD (3840 x 2160) a HD (1920 x 1080) se snímkovou frekvencí 1–60 fps do kodeků XAVC-I (až 600 Mb/s), XAVC-Long a MPEG HD.

Více informací

volejte 226 205 741 pro cenu
Dostupnost
Praha 1 ks, Bratislava skladem do 2 dnů
Výrobce
Kód zboží:
PXW-FX9V
Přidat do porovnání
Popis produktu

Popis produktu

Sony PXW-FX9 je nová, výkonná 4K kamera osazená 6K FF CMOS snímačem Exmor R s dynamickým rozsahem 15 clonových čísel; precizním bajonetem E-Mount z nerezové oceli; bohatou nabídkou I/O vč. 12G-SDI a HDMI výstupů a Wi-Fi; synchronizačními funkcemi; špičkovým systémem automatického ostření Fast Hybrid AF s detekcí obličejů; interním gyroskopem pro dokonalou stabilizaci obrazu; záznamem až čtyř kanálů zvuku; 10bitovým 4:2:2 záznamem na dvě karty typu XQD; a podporou interního záznamu v rozlišení UHD (3840 x 2160) a HD (1920 x 1080) se snímkovou frekvencí 1–60 fps do kodeků XAVC-I (až 600 Mb/s), XAVC-Long a MPEG HD.

Budoucí firmware upgrade umožní záznam v HD rychlostí až 180 fps a výstup 16bitového RAW 4K/2K materiálu rychlostí až 120 fps! Kamera nabízí také duální citlivost ISO 800/4000 a barevný mód S-Cinetone převzatý z modelu Sony VENICE pro dokonalé, filmové podání obrazu. V prodeji jako samostatné tělo nebo sada s objektivem 28–135mm f/4 G OSS.

Whether you're shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.

The PXW-FX9 input and output features include 12G-SDI and HDMI outputs for 4K, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.

The camera features a 15-stop dynamic range and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. And with a future firmware update, it will be able to record HD at up to 180 fps and output 16-bit raw 4K/2K footage up to 120 fps. In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000, which is helpful when in low-light situations or using a slower lens. Its 7-stop electronic variable HD filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.

The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with two power cords, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.

6K CMOS Exmor R Sensor
The PXW-FX9's oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

15 Stops of Dynamic Range
The FX9 offers an exceptional 15+ stops of dynamic range, allowing for creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using 4K 4:2:2 10-bit internal recording.

ISO Control
The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you're using slow lenses.

Electronic ND Filter
Sony's built-in electronic variable neutral density (ND) filter can be set to auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for artistic effects.

Recording Formats
Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a highest 600 Mb/s in 60p. XAVC-Long for more longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.

Adjustable Frame Rates
Choose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.

S-Cinetone Look
S-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich midrange colors, alluring facial tones, and a softer tonal look developed with the same expertise as Sony's world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production, thanks to the high-performance full-frame image sensor.

Fast Hybrid AF
Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.

Seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.

Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another—ideal for snapping between race cars as they speed by.

Advanced Image Stabilization
Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by the FX9's built-in gyro allows you to creatively choose the balance between the level of shake compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.

4-Channel Audio Recording
The FX9 offers audio capabilities with independent control dials for each channel. In applications such as an interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, and the built-in microphone for ambient sound and voice memos by the operator.

Inputs and Outputs
The FX9 is equipped with various outputs including a 12G-SDI and an HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multicamera operation, Genlock and TC In/Out terminals are available.

Recording Modes
The FX9 has a selection of backup recording modes that will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. The 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9 Mb/s small size proxy file which will be easily sent via network. Also, a maximum 28-second Cache Rec is available to prevent missing any shot.

Multi-Interface (MI) Shoe
Sony's flexible Multi-Interface (MI) shoe provides power, signal connections, and coordinated on/off switching with compatible Sony accessories.

Optional Extension Unit
Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimizes camera weight distribution and ergonomics for comfortable shoulder-style shooting—ideal for ENG and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and a slot-in for a wireless audio receiver.

Parametry

Parametry

Výrobce: SONY
Kategorie: Digital Cinema

Hlavní parametry

Velikost snímačeFull Frame
Rozlišení4K (DCI)
RozlišeníUHD
RozlišeníFull HD
Typ bajonetuE-mount
VýstupHDMI
VýstupSDI
Výstup12G SDI
Výstup3G SDI
Výstup6G SDI
VýstupGenlock
VýstupTimecode

Ostatní parametry

Provedenífilmová
Formát záznamuXAVC-Intra
Formát záznamuXAVC-Long
Formát záznamuMPEG HD
FPSHD 120fps
FPSUHD 60fps
Typ mediaXQD
Typ baterieBP-U
Barevná hloubka8 bit
Barevná hloubka10 bit
Další funkceProxy recording
Další funkceNFC
Další funkceTimecode
Další funkceHDR
Další funkceDual ISO
Nativní ISO4000
OBSAH BALENÍ

  • Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (body)
  • Body Cap
  • Viewfinder
  • Eyepiece
  • BP-U35 Battery
  • Sony BC-U1A Battery Charger / AC Adapter for BP-U90, U60, U60T, U30
  • Grip Remote Control
  • AC Adapter
  • USB Cable

SPECIFIKACE

General

Mass
Approx 2.0 kg (body only)
Approx. 4.8 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U35 battery, SELP28135G LENS, an XQD memory card, Handle, MIC holder)

Dimensions (W x H x D)
146 x 142.5 x 229 mm (body without protrusions)

Power Requirements
DC 19.5V

Power Consumption
Approx. 35.2 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)

Operating Temperature
0°C to 40°C
32°F to 104°F

Storage Temperature
-20°C to +60°C
-4°F to +140°F

Battery Operating Time
Approx. 54min. with BP-U35 battery
(while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)

Approx. 108min. with BP-U70 battery
(while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)

Recording Format (Video)
[XAVC Intra]

XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 59.94i/29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 50i/25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264
XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264

Recording Format (Video)
[XAVC Long]

XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 59.94i/50i mode:VBR, MAX bit rate 25 Mbps, MPEG-4 H.264/AVC

Recording Format (Video)
[MPEG-2 Long GOP]

MPEG2 HD422 mode:CBR, MAX bit rate 50 Mbps, MPEG-2 422P@HL

Recording Format (Audio)

LPCM 24 bits, 48 kHz, 4 channels

Recording Frame Rate
[XAVC Intra]
XAVC-I QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-I HD mode: 1920 x 1080/59.94P, 59.94i, 50P, 50i, 29.97P, 23.98P, 25P
[XAVC Long]
XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-L HD 50 mode: 1920 x 1080, 1280 x 720/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L HD 25 mode:1920 x 1080/59.94i, 50
[MPEG-2 Long GOP]
MPEG HD422 mode: 1920 x 1080/59.94i, 50i, 29.97P, 23.98P, 25Pi

Recording/Playback Time
[XAVC Intra]
XAVC-I QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB): Approx. 10 minutes

XAVC-I QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB): Approx. 13 minutes

XAVC-I QFHD 29.97p
When using QD-G128A (128 GB): Approx. 43 minutes
When using QD-G64A (64 GB): Approx. 21 Minutes

XAVC-I QFHD 25p
When using QD-G128A (128 GB): Approx. 52 minutes
When using QD-G64A (64 GB): Approx. 25 Minutes

XAVC-I QFHD 23.98p
When using QD-G128A (128 GB): Approx. 54 minutes
When using QD-G64A (64 GB): Approx. 26 Minutes

XAVC-I HD 59.94p
When using QD-G128A (128 GB): Approx. 57 minutes
When using QD-G64A (64 GB): Approx. 28 Minutes

XAVC-I HD 50p
When using QD-G128A (128 GB): Approx. 57 minutes
When using QD-G64A (64 GB): Approx. 27 Minutes

XAVC-I HD 59.94i/29.97p
When using QD-G128A (128 GB): Approx. 105 minutes
When using QD-G64A (64 GB): Approx. 53 Minutes

XAVC-I HD 50i/25p
When using QD-G128A (128 GB): Approx. 105 minutes
When using QD-G64A (64 GB): Approx. 53 Minutes

XAVC-I HD 23.98p
When using QD-G128A (128 GB): Approx. 130 minutes
When using QD-G64A (64 GB): Approx. 65 Minutes

Recording/Playback Time
[XAVC Long]

XAVC-L QFHD 29.97p/25p/23.98p
When using QD-G128A (128 GB): Approx. 125 minutes
When using QD-G64A (64 GB): Approx. 62 Minutes

XAVC-L QFHD 59.94p/50p
When using QD-G128A (128 GB): Approx. 86 minutes
When using QD-G64A (64 GB): Approx. 42 Minutes

XAVC-L HD 50 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
When using QD-G128A (128 GB): Approx. 225 minutes
When using QD-G64A (64 GB): Approx. 110 Minutes

XAVC-L HD 35 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
When using QD-G128A (128 GB): Approx. 305 minutes
When using QD-G64A (64 GB): Approx. 150 Minutes

XAVC-L HD 25 59.94i/50i
When using QD-G128A (128 GB): Approx. 410 minutes
When using QD-G64A (64 GB) Approx. 200 Minutes

Recording/Playback Time
[MPEG-2 Long GOP]

MPEG HD422 59.94i, 50i, 29.97P, 23.98P, 25P
When using QD-G128A (128 GB): Approx. 220 minutes
When using QD-G64A (64 GB): Approx. 105 Minutes

Recording Format (Proxy Audio)
XAVC Proxy: AAC-LC, 128 kbps, 2 channels

Recording Format (Proxy Video)
XAVC Proxy: AVC/H.264 Main Profile 4:2:0 Long GOP, VBR
1920 x 1080, 9Mbps
1280 x 720, 9Mbps
1280 x 720, 6Mbps
640 x 360, 3Mbps

Lens

Lens Mount
E-mount

Camera Section

Imaging Device (Type)
35 mm full-frame, single-chip CMOS image sensor

Imaging Device (Pixel Count)
20.5 M pixels (Total)

Built-in Optical Filters
Clear, linear variable ND (1/4ND to 1/128ND)

ISO Sensitivity
ISO 800/4000 (Cine EI mode, D55 Light source)

S/N Ratio
57 dB (Y) (typical)

Shutter Speed
64F to 1/8000 sec

Slow and Quick Motion Function
FF 6K mode:
XAVC-I/L
3840 x 2160, 1920 x 1080
1 to 30 frames (29.97/25/23.98)

S35 4K mode:
XAVC-I/L
3840 x 2160, 1920 x 1080
1 to 60 frames (59.94p, 50p, 29.97/25/23.98)

FF 2K, S35 2K mode:
XAVC-I/L
1920 x 1080
1 to 60, 100, 120 frames (59.94p, 50p, 29.97/25/23.98)

White Balance
Preset, Memory A, Memory B (2000K-15000K)/ATW

Gain
-3 to 18dB (every 1dB), AGC

Gamma Curve
S-Cinetone, STD1, STD2, STD3, STD4, STD5, STD6, HG1, HG2, HG3, HG4, HG7, HG8, S-Log3

Latitude
15+ stop

Input/Output

Audio Input
XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
Mic Reference: -30 to -80 dBu"

SDI Output
SDI OUT1: BNC, 12G-SDI, 3G-SDI (Level A/B), HD-SDI
SDI OUT2: BNC, 3G-SDI (Level A/B), HD-SDI

USB
USB device, micro-B (x1)

Headphone Output
Stereo mini jack (x1) -16 dBu 16 ?

Speaker Output
Monaural

DC Input
DC jack

Remote
Stereo mini-minijack (?2.5 mm)

HDMI Output
Type A (x1)

Monitoring

LCD
8.8 cm (3.5 type) Approx. 2.76 M dots

Built-in Microphone

Built-in Microphone
Omni-directional monoral electret condenser microphone

Media

Type
XQD Card slot (x2)
SD/MS Card slot (x1) for saving configuration data
SD card slot also can be used for proxy video recording

Wi-Fi/NFC

Supported Format
IEEE 802.11 a/b/g/n/ac

Frequency Band
2.4 GHz bandwidth 5.2/5.3/5.6/5.8 GHz bandwidth*
* Depending on country/regional regulation

Security
WEP/WPA-PSK/WPA2-PSK

NFC
NFC Forum Type 3 Tag compliant

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Speciální akce: -14%
Na cestě 2 ks
bez DPH
131 116 Kč
158 650 Kč
  • -12 %
  • Doprava zdarma

SONY PXW-FS7 M2

7-14 dní
bez DPH
199 000 Kč
240 790 Kč
  • Doprava zdarma

Sony VENICE (MPC-3610)

7-14 dní
bez DPH
875 000 Kč
1 058 750 Kč